Art

"Not to brag or anything, but if you saw me from behind, you'd probably think I was perfect."

After sixteen years, Terra Rose Cooper has mastered the fine art of hiding the cracks in the facade of her perfect life. Concealer and foundation quickly camouflage the port-wine stain on Terra's cheek. A rigorous exercise regimen gives Terra control over her body that she never had over her face. It also makes sure her body is one that her boyfriend, a beautiful and popular jock himself, will definitely appreciate.

It's harder to hide her family's flaws; her father's denigrating comments, her mother's compulsive baking (and eating), the flight of her older brothers' away from the family--and from their little sister. Terra is so focused on her plan to finish high school early and flee to an East Coast college that, sometimes, it's easy to forget that she bears marks from the household as clear as any birthmark.  read more »

We're pretty excited at the Library today, because tonight is the debut screening of a documentary short of Design by the Book at the Brooklyn Arts Council Film Festival!

Design by the Book began life as a series here at NYPL, co-produced by Grace Bonney of Design*Sponge. It follows the experiences of five local artists as they explore the Library's collections (and the building itself too!) in search of inspiration for their work. I was their resident reference librarian and had great fun helping them out in their searches. We're planning some super fall programming that will bring more crafty and artsy books out of the stacks and to the DIY-ing masses, so stay tuned if you want to get some hands-on library inspiration too. But in the meantime, come to tonight's event and see some great films and meet the makers!

What: Design by the Book will be screened as part of a curated collection entitled Artists in Residence
When: 9:00pm
Where: Galapagos Art Space in DUMBO (16 Main Street at the corner of Water Street)

As a librarian, I am a list maker, and lately I have been lucky enough to review the bibliography titles in the Mid-Manhattan Library Art Collection. Bibliographies are elaborate lists that contain citations, and sometimes abstracts, of other books, journal articles, etc., that relate to a focused subject. If you have ever written a research paper, you probably created a bibliography at the end, listing the publication information of the materials you used in your research process.

An example that I find particularly charming is a two volume work entitled Early American Book Illustrators and Wood Engravers 1670-1870 by Sinclair Hamilton. It contains a catalog of works about illustrators and engravers organized first by year, then by artist, of books and articles relating to the title. This bibliography is especially generous because it also reproduces illustrations of some of the works cited. The picture here is from The Progress of Sin, or the Travels of Ungodliness... by Benjamin Keach (click to enlarge).  read more »

I live for the day when some person who’s regarded as an arbiter of cultural taste is asked to name their favorite books. “I know you’re expecting an answer like Moby Dick, Don Quixote, Ulysses or Gravity’s Rainbow, but, truth be told, the one story that really sums up the human condition for me is issue number 55 of The Amazing Spider-Man.” They then proceed to deliver a literate, succinct defense of their preference which would do credit to an Oxford professor’s deconstruction of Beowulf. I know this might sound weird, but then I also hope for the day when the consumers of culture, and not a coterie of critics, decide what they want to read, see, and hear.

Hidden treasures are what make looking for materials on the Mid-Manhattan Library’s Art and Literature floor so interesting. Three-quarters of the books and DVDs that people request will be about art and plays and architecture and novels and cartoons and poems and buildings I’ve never heard of until today. That’s why it’s interesting to flip through the pages of each book that’s pulled from the shelves. I want to see what kind of sculpture Antoine-Louis Barye produced (more on this later), what factors influence the design of an airport, and just what sort of poem is “Aniara” by Harry Martinsson (more on this later, too).

A work of art has often inspired a poem, like The Starry Night by Vincent van Gogh, which sparked Anne Sexton’s poem of the same name; and likewise, a poem can inspire an artwork, as with Charles Demuth’s The Figure 5 in Gold, motivated by William Carlos Williams’ poem The Great Figure.

But, it is often the case that the artist and the poet are the same person. A few artist/poets of variety include William Blake, Marsden Hartley, Francis Picabia, Dante Gabriel Rossetti, and Chinese painters of the Song Dynasty. Movements of Western art and literature, including the Pre-Raphaelites, Dada, and Surrealism also have embraced the artist/poet as an inspired partnering.

In this spirit of creative duality, please join the Mid-Manhattan Library Art Collection on Monday, April 27, at 6:30 PM, as we celebrate Poem in Your Pocket Day with an images and poetry read by artists and poets Stephen Spretnjak, Johannes VanDerBeek, Geoffrey Young, and Bill Zavtasky.

Monday March 16th might just be the best day to visit Deirdre Donohue's art installation, Sevdah, at the Mid-Manhattan Library, because on that evening the artist herself will be there, in conversation with Bernard Yenelouis, curator and educator at the School of the International Center of Photography. This event begins at 6:30pm, Monday 3/16/09.

I'm drawn into Donohue's work because of the intensity of the details that she creates using a traditional medium, embroidery, on a large scale. When I visited the installation last week, I wanted to study each small fabric square's evocative imagery, patterns, and textures. You can read more about her work here. And even if you can't make it to the artist dialogue Monday the 16th, the art itself will remain on exhibition until April 22nd--don't miss it!

Image: from Sevdah, by Deirdre Donohue

Did you enjoy following the adventures of our Design by the Book artists as they found inspiration at NYPL? Do you want to dig in to the Library's collections too, to find materials to fuel your own creativity? If so, then check out my User's Guide to NYPL for DIY Designers and Artisans--it will get you up to speed on the treasures and the quirks of the entire Library system. And with it in hand you can start your own hunt for inspiring stuff. Once you get started in your handmade endeavors, please join our Design by the Book Group on Flickr! It’s an open group, and you can post pictures of your creations there, along with a caption explaining the part that NYPL played in your project!

Here's one completed project from the Design by the Book Group (thanks, egoldberg.rm, for sharing!)--a vintage image in the Library's Digital Gallery has been remade into a lovely blue-hued sunprint:

Now it's your turn! Get making and start sharing--I'll do the same!

What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined?

LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season on February 26th with a spirited discussion of the emerging remix culture.

→ Remix: Making Art and Commerce Thrive in the Hybrid Economy ←
February 26th, 7pm (buy tickets)
Celeste Bartos Forum
The New York Public Library
5th Avenue and 42nd Street (enter on 42nd St.)
$25 general admission and $15 library donors, seniors and students with valid identification

*     *     *     *     *

Our guides through this new world—who will take us from Jefferson's Bible to André the Giant to Wikipedia—will be Lawrence Lessig, author of Remix, founder of Creative Commons, and one of the leading legal scholars on intellectual property issues in the Internet age; acclaimed street artist Shepard Fairey, whose iconic Obama "HOPE" poster was recently acquired by the National Portrait Gallery; and cultural historian Steven Johnson, whose new book, The Invention of Air, argues that remix culture has deep roots in the Enlightenment and among the American founding fathers.

Stay tuned for most posts about this event!

Shepard Fairey, often described as a street artist, first began to appear in the news for wheat pasting (adorning public spaces with the artist's own posters with a water and wheat mixture), sticker tagging, and the numerous accompanying arrests. His portrait of Barack Obama that came to symbolize the historic campaign of the president is now on display at the National Portrait Gallery in Washington, D.C. His artwork is also in the collections of the Museum of Modern Art, the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London. A retrospective of Fairey’s work opened in February 2009 at the Boston Institute of Contemporary Art.

Steven Johnson is the author of The Ghost Map; Everything Bad Is Good for You; Mind Wide Open: Your Brain and the Neuroscience of Everyday Life; Emergence: The Connected Lives of Ants, Cities, and Software; and Interface Culture: How New Technology Transforms the Way We Create and Communicate. He is also the founder of several influential websites, including FEED, Plastic, and, currently, outside.in. His most recent book is The Invention of Air: A Story of Science, Faith, Revolution, and the Birth of America.

Lawrence Lessig is a Professor of Law at Stanford Law School and founder of the Center for Internet and Society. He writes in the areas of constitutional law, contracts, and the law of cyberspace, especially as it affects copyright. Lessig was named one of Scientific American's Top 50 Visionaries, for arguing "against interpretations of copyright that could stifle innovation and discourse online." He is the author of Code v2, Free Culture, The Future of Ideas, and Code and Other Laws of Cyberspace. His most recent book is Remix: Making Art and Commerce Thrive in the Hybrid Economy.

Photos of Shepard Fairey by Jill Greenberg and Steven Johnson by Nina Subin

This event is co-sponsored by Wired Magazine.

Buy Tickets: Smarttix or call 212-863-4444

Stay tuned for more posts!

It's been grand working with our Design by the Book artists Lorena Barrezueta, Rebecca Kutys, Mike Perry, John Pomp, and Julia Rothman. They never failed to surprise me in their interests and their unexpected uses of what they found at the Library. In this, the last episode, they share their Library-inspired creations. I hope that you've enjoyed this series. Stay tuned for future DIY and design projects from the Library!

Now that the art economy has collapsed and followed the mortgage derivative finance home boom bust buy now pay later consumption as a way of life whatever whatnot economy into the dumpster of ideas, I’d like to recommend a very sound investment for the young artist class: Get a Library Card and check out Lunar Follies by Gilbert Sorrentino. Or if you need a place to keep warm, get an Access Card and come read it here. & if you’re a contemplative fellow or gal and find yourself mulling over the heroic American Art-Culture Scene of the 50’s & 60’s: read Sorrentino’s Imaginative Qualities of Actual Things.

As my Fidelity Brokerage Services, LLC monthly statements used to say: “Be better informed, so you can make better decisions.”

The holidays are over, and our intrepid artisans are back at work. Check out the latest episode of Design by the Book to see what they are making!

A few days ago, I remembered that I liked Design Observer—a collective blog that occasionally includes posts from the great Steven Heller. Anyway, there was a post or a link or some other worm hole a few months ago that led to a Flickr page of book covers designed by Alvin Lustig for New Directions in the late 1940’s. Clean, with one or two colors, interesting use of typography or hand lettering, and abstracted shapes, Lustig’s designs are a revelation and respite from the lazy use of the photographic image and rote text layout (a problem then as now).

However, since NYPL, like most libraries, does not extensively collect book jackets, my forays into the stacks were for naught. That is until I ran across Alfred Young Fisher’s The Ghost in the Underblows. A 304 page arch-modernist poem that I won’t or can’t summarize, The Ghost in the Underblows was designed by Lustig and printed at the Ward Ritchie Press in Los Angeles in 1940. Lustig’s design for the title page and the section breaks are quite beautiful given the two-color palette (red and black) he utilized and vastly different from his later work. Each is a small symphony, composed of metal slugs and other odds and ends from the print shop where the positioning and edges of the components become visible on close inspection. Yet moving back the designs resemble a Frank Lloyd Wright window constructed by Malevich.

All of the images from Ghost as well as other information on Lustig are available here, but a close examination with the object provides a real delight.

Debuting at this years Macy's Thanksgiving Day Parade will be a 48-foot tall balloon titled Figure with Heart by the late artist Keith Haring.

The balloon is based on Haring's ink on paper drawing, Untitled (Figure with Heart), 1987 and will be part of the Macy's Parade's Blue Sky Gallery series, which aims to "inject contemporary art into a pop culture phenomenon". (Pop Art In The Sky)

The Blue Sky Gallery series began in 2005 with Humpty Dumpty by Tom Otterness, preceded by “Rabbit” by Jeff Koons in 2007.

To learn more about the artist Keith Haring visit the Library and look through our books in CATNYP, as well as go to the Keith Haring Foundation website at www.haring.com

Also take a walk down to Houston Street and Bowery to look at a recreation of a mural done by Haring in the summer of 1982. All in celebration of what would have been his 50th Birthday. So, Cheers to Keith and a Happy Thanksgiving to all…

In looking around for a keepsake to remind me of this historic election for President of the United States, I came across a pin of the Obama Progress poster. I was surprised to learn that the poster was done by a street artist named Shepard Fairey.

It is amazing to see how graffiti artists have come up in the art world, from Jean-Michel Basquiat and Keith Haring to Banksy and now Shepard Fairey, who will have his first museum retrospective at the Institute of Contemporary Art, Boston.

I came across the website ‘Pictorial Americana’ by the Print Division of the Library of Congress, which has presidential campaign images from 1836 to 1908. A number of these images were done by important lithographers, such as: Currier & Ives. Here is one for Abraham Lincoln’s candidacy for the sixteenth president of the United States…

For further information on political campaigns in the United States go to CATNYP, the Libraries online catalog and search ‘Political Campaigns United States’

To learn more: Check out a video discussing New York City’s role in presidential campaigns on the Museum of the City of New York website: Campaigning for President: New York and the American Election

http://discussions.mnhs.org/collections/?p=31

http://www.smithsonianmag.com/arts-culture/atm-objects-200811.html

http://www.digitalhistory.uh.edu/default.htm

Helene Berson's work is on display in the main reading room on Level 2 from July to August. Since we opened last May, six local artists have shown their work here.

Describe the kind of art you create.
My artwork is best described as collage and mixed media. The materials I rely on are myriad types of papers, photos and acrylic paint. Some of these come from quite ordinary contemporary sources, some are vintage, some are found objects, and some are specialty art papers. The works come together with the use of a variety of glues and gels. Frequently I incorporate details that have great personal meaning to me in addition to adding visual interest or suggesting the themes or subject of the work.

Talk about the scope of your show at the Mulberry Street Branch.The show consists of about 25 pieces of artwork. They range in size from 4 x 4" to 16 x 20. Most of these pieces were inspired by family photographs; many are of my parents. I found making these works of art gave me an opportunity to explore my feelings about family; family history and my roots. For this reason I coined the term “biollage” to suggest the connection between collage, biography, personal biology and history. Although much of the work contains very personal and mundane references I believe it evokes universal common human themes and experiences.

Where do you find inspiration?I have been deeply inspired by the good fortune of having many vintage family photos in my possession. For many years, decades actually, I treasured these photographs but was not actively relating to them. They were stored in boxes and bags and tucked away in a cupboard. Over the past several years they have revealed both a treasure trove of memories real and imagined and at the same time a Pandora’s Box of the mixed bag of my family history. This show at the library consists of one collection of my work. Other work reflects the inspiration of the sea; shapes--especially triangles; travel, and architecture.

How do you think the library setting affects the people who are experiencing your art?I believe that the Mulberry Street library is a particularly fitting setting for my show because it is a historic building that matches the vintage photographs and settings of my collages. I would like to think that when readers and researchers look up from their books or laptops my work provides a thoughtful resting place for the mind and eye.

Let's judge books by their covers. Describe the kinds of book jackets that have stuck in your artist's memory. I have certainly been drawn to look at a book because of its cover. I like bright, simple, dynamic and stylized designs and typefaces. One example is The Postman Always Rings Twice by James Cain. Generally speaking pulp fiction, Art Deco and styles popularized in the 1930s and 40s will almost always get a second glance from me.

Visit the Mulberry Street Branch to sign Ms. Berson's guest book and see the installation in person.

During the weekend of June 7th, the National Park Service literally moved the home of Alexander Hamilton, known as the Hamilton Grange National Memorial, two blocks over to the hillside corner of St. Nicholas Park.

The federal style country home built by the architect, John McComb Jr., was completed in 1802 and named "The Grange" after the Hamilton family's ancestral home in Scotland. Though this is not the first time that the Hamilton Grange has moved…in 1889 it was moved from its original location in upper Manhattan to Convent Avenue. The decision to relocate the home once again stemmed from the neighboring buildings that sandwiched the Grange and towered above it. Alexander Hamilton's "Country Home" on the Move in New York City  read more »

Ever wish you could see what was happening on the other side of the Atlantic Ocean…well now you can go down to the Fulton Ferry Landing near the Brooklyn Bridge and take a peek at what is going on in London.

The Telectroscope by the artist Paul St George, a brass and wood telescope, 37 feet long by 11 feet tall…will visually connect New Yorkers to people in London, where an identical scope will sit on the banks of the Thames in the shadow of Tower Bridge. Spectators who step right up will have a real-time, life-size view across the pond 24 hours a day. From Telescope Takes a Long View, to London by Melena Ryzik in the NYTimes  read more »

Or should I say Memorial Day. In this case have a Memorial Day Weekend (whoo hoo - three days off).

Memorial Day, also known as Decoration Day, is an official U.S. holiday, celebrated on the last Monday in the month of May, to honor the men and women that have died in military service. “It originated during the American Civil War (1861–64) when citizens placed flowers on the graves of those who had been killed in battle.” Encyclopædia Britannica Article

Soldiers Memorial Day  read more »

One of Calvin Tompkins' Bachelors has shuffled off stage left. As the New York Times obituary makes clear, Rauschenberg's impact on the Visual and Performing Arts is pretty much incalculable.

I can't remember when I didn't know of Rauschenberg's work, having probably been exposed to a few pieces in my teens on a weekend getaway to the Art Institute of Chicago, but one of my favorite experiences that encompasses Rauschenberg and his cadre of New York pals was seeing the Merce Cunningham Dance Company perform at Lincoln Center in 1999. There in one place--literally and figuratively--were Marcel Duchamp, John Cage, David Tudor, Merce Cunningham, Jasper Johns, Morton Feldman, Bob Rauschenberg and, as something of a weird bonus Mikhail Baryshnikov, Gavin Bryars and Jim O'Rourke.

The Library for Performing Arts actually has a DVD of one night that I attended in addition to other videos and printed material relating to Rauschenberg's work with the MCDC as well as his experiments in Performance Art. In addition, the Wallach Division of Art, Prints and Photographs has a plethora of material outlining Rauschenberg's entire career.

Goodbye 20th century!

If you like Japanese anime and manga you should see the new © Murakami exhibition (April 5-July 13, 2008) at the Brooklyn Museum. This is the first major retrospective on the works of Japanese artist/designer Takashi Murakami, who is known as the Warhol of Japan. It focuses on his work from 1991-2000, “when the artist began exploring his own reality through an investigation of branding and identity." From "© MURAKAMI: Brooklyn Museum Photo Gallery”  read more »