Picture Collection

I live for the day when some person who’s regarded as an arbiter of cultural taste is asked to name their favorite books. “I know you’re expecting an answer like Moby Dick, Don Quixote, Ulysses or Gravity’s Rainbow, but, truth be told, the one story that really sums up the human condition for me is issue number 55 of The Amazing Spider-Man.” They then proceed to deliver a literate, succinct defense of their preference which would do credit to an Oxford professor’s deconstruction of Beowulf. I know this might sound weird, but then I also hope for the day when the consumers of culture, and not a coterie of critics, decide what they want to read, see, and hear.

Hidden treasures are what make looking for materials on the Mid-Manhattan Library’s Art and Literature floor so interesting. Three-quarters of the books and DVDs that people request will be about art and plays and architecture and novels and cartoons and poems and buildings I’ve never heard of until today. That’s why it’s interesting to flip through the pages of each book that’s pulled from the shelves. I want to see what kind of sculpture Antoine-Louis Barye produced (more on this later), what factors influence the design of an airport, and just what sort of poem is “Aniara” by Harry Martinsson (more on this later, too).

Early one morning, as I pulled myself up from the bathroom floor with a most terrible headache, I swore an oath to never drink again. I vowed to empty the rest of that demon vodka down the sink, thwarted only by the fact that I had drunk all of it the night before and there was none left to dispose of. I made a promise to myself to remain sober and self-possessed throughout the remainder of my days, and while I have thus far failed miserably in this endeavor, I nonetheless continue to derive strength and inspiration from the many images of drunken folly archived in The Picture Collection. Created during the nineteenth and early twentieth centuries, when that most beloved of crusades, the temperance movement, gained particular momentum in the United States and Europe (capped off by that very successful and victorious era in U.S. history known as Prohibition), these images very acutely document the destructive and evil forces of alcohol. When I am overcome with temptation, which is always (I am swigging from a bottle of absinthe right now), I look at these images in order to be reminded of the foolishness of my ways, and now I am posting them online so that you, dear readers, will benefit as well. As these pictures make perfectly clear, without immediate intervention we will all soon be terrible mothers, fathers, wives and husbands, make spectacles of ourselves at fashionable parties, fall into debt and poverty, dress in rags, be mocked and jeered at by children, wind up arrested, in court, in prison and insane, commit murder and/or suicide, and be visited by devils while sleeping in our beds at night. Shall I go on? Of course not – you can see the end results for yourself.

Related: The Picture Collection's images of New York City Saloons

One recent rainy day in the Picture Collection of Mid-Manhattan Library, just shuffling through a fistful of photos, we happened upon this–uh, SIGNED photo of Henry James.

Now we are loathe to confess it, but Mr. James is one of those rare writers of whom we have developed a pronounced preference for the Big Screen versions of his works over the textual alternatives. Who could forget Helena Bonham Carter distractedly roaming the dark streets of Venice in Wings of the Dove? Or Christopher Reeve tripping over the love that dare not speak its name in The Bostonians? Or Cherry Jones’ tour de force as The Heiress? (Okay, it was on the stage, but still…) Despite our lowbrow taste for Mr. James served up as entertainment (well, Colm Toibin’s masterful fiction about James wasn’t exactly an endorsement of Mr. James’ personal character), we were pleased to think we might turn the Berg Collection green with envy–until we examined the signature a little more closely and found ourselves terrified. The pen that signed the portrait scrawled the date: Jan. 3, 1918. Yet the hand that penned the novels last moved in this world on Feb. 28, 1916. So who IS this Miss Jordan, who prompted Mr. James to journey so far from that undiscovered country merely to send her his regards? We also express our admiration for the skill of the photographer, H. Walter Barnett, who has caught perfectly that otherworldly look about the eyes.

(Perhaps the stroke of Mr. James' pen was cramped and the date was actually Jan. 3, 1908? Mind you, I only conjecture....)